アンジェラ7777♪のSecond　House♪

バンクーバー国際映画祭(VancouverInternational Film Festival) for the first time in 1982 and greet the 26th by this year. In 2007, it is shown in the movie theater of the Vancouver city from September 27 to 16 days until October 12.

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Ms. Daphne Marlatt,　　Mr. Richard Emmert,　　松井　彬(Akira Matsui) 

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 【From "translation space creating "border" Canada literature -."　】

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Physical memory.

We always live with much memory. By the way, I can remember the past I forget a past experience and refuse what I sometimes remember and do not sometimes experience it. The memory is translated into the story that was different from the real experience in the lapse of time so that station wagon Dell cork and station wagon Dell Hald speak "the memory with incorrect (van der Kolk and van der Hart 171) which is easy to be done the new thought and information are combined with old knowledge consistently, and to finish a diagram of the mind that is change freedom". The memory is chosen, and t links an act to sometimes recite a story. However, it is true that it is with the story that was already settled at a point in time when the memory is chosen. Gerry explains that memory shuts moo the possibility that is future richness in the past as for the loss as follows.

 

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It was opened in "the future" at each past moment. Actually it was another present in the past. I hid potential possibility to know many courses except a realized thing in the past.

 

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The memory is a chosen story and does not accept other choices. Then how will in the past refused as the memory that is not chosen namely daily monotonous progress and trauma. Generally it is it in "the ground" as the background for "the figure" which is a main event, and it is it, and such a memory is not made a language by the blind spot of the consciousness. I point out the importance of the background that is apt to be ignored while the loss sends moo it on a photograph and an example, and explaining memory.

 

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The history and our life are formed by the complicated interaction of innumerable everyday moments. Therefore the historic origin when I should trust it deceives us. Like the photograph which I took in a photo studio, the memory stores the foreground set of the picture. However, it may be what is important though, in addition, the details of the things which are unrelated to the place entering in the background namely the things which we usually overlook it and forget of the amateur photograph understand the past. (Morson 185)

 

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The background that the shot of the moment to take a photograph has contained carelessly is similar, and it will be necessary though the past feelings and experience that are not born in its mind in consciousness understand the context of the place. A body memorizes such feelings and the experience that are not made a language in substitution for consciousness. The memory that escaped from a language possesses us like "a departed soul" and does not bear space becoming the existing front.
　And Daphne Marlatt calls the physical memory that is not made a language "a physical mutter" (Williamson 185) telling that I hear it suddenly after standing for years. When there are potential ties with mother in the root of the memory as a physical sense, she continues it.

 

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 Daphne Marlatt 1942－

She spend the childhood period in birth, Malaysian Penang in Australia, Melbourne and emigrate to north Vancouver with a family in 1951. She learn English literature in yellowtail tissue Columbia University and acquire master's degree of comparative literature at Indiana university.SheI continue writing a novel, poetry energetically from the latter half of 1960's. Reference does a work of one's past again after having come to have a relation with a lesbian love group in 1980's and comes to do a search of an autobiography in a theme. It is one of the people of foundation of a periodical of lady's man magazine "ttesera".

 

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【From "translation space creating "border" Canada literature -."　】